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All About History Books
The Chronicle of Walter of Guisborough, a canon regular of the Augustinian Guisborough Priory, Yorkshire, formerly known as The Chronicle of Walter of Hemingburgh, describes the period from 1066 to 1346. Before 1274 the Chronicle is based on other works. Thereafter, the Chronicle is original, and a remarkable source for the events of the time. This book provides a translation of the Chronicle from that date. The Latin source for our translation is the 1849 work edited by Hans Claude Hamilton. Hamilton, in his preface, says: "In the present work we behold perhaps one of the finest samples of our early chronicles, both as regards the value of the events recorded, and the correctness with which they are detailed; Nor will the pleasing style of composition be lightly passed over by those capable of seeing reflected from it the tokens of a vigorous and cultivated mind, and a favourable specimen of the learning and taste of the age in which it was framed." Available at Amazon in eBook and Paperback.
Books is in Culture.
1901. The history of Mary I, Queen of England, as found in the public records, despatches of ambassadors in original private letters, and other contemporary documents by J. M. Stone. London Sands & Co. 12 Burleigh Street, Strand, W.C. 1901.
Life of James McNeil Whistler by Pennell
Before the portrait was finished, Whistler (age 42) had begun to paint Miss Alexander, and another story, often told, is of a meeting at the door of No. 2 between the old man coming out and the little girl going in. "Who is that?" he asked the maid. Miss Alexander, who was sitting to Mr. Whistler, she said. Carlyle shook his head. "Puir lassie! Puir lassie!" and, without another word, he went out. Mrs. Leyland, whose portrait also was begun before Carlyle's was finished, remembered that he grumbled a good deal. Whistler, in the end, had to get Phil Morris (age 40) to sit for the coat. Mr. Greaves' memories are of much impatience in the studio, especially when Carlyle saw Whistler working with small brushes, so that Whistler, to quiet him, either always worked with big brushes or pretended to. William Allingham wrote in his diary of the sittings: