Adam Murimuth's Continuation and Robert of Avesbury’s 'The Wonderful Deeds of King Edward III'
This volume brings together two of the most important contemporary chronicles for the reign of Edward III and the opening phases of the Hundred Years’ War. Written in Latin by English clerical observers, these texts provide a vivid and authoritative window into the political, diplomatic, and military history of fourteenth-century England and its continental ambitions. Adam Murimuth Continuatio's Chronicarum continues an earlier chronicle into the mid-fourteenth century, offering concise but valuable notices on royal policy, foreign relations, and ecclesiastical affairs. Its annalistic structure makes it especially useful for establishing chronology and tracing the development of events year by year. Complementing it, Robert of Avesbury’s De gestis mirabilibus regis Edwardi tertii is a rich documentary chronicle preserving letters, treaties, and official records alongside narrative passages. It is an indispensable source for understanding Edward III’s claim to the French crown, the conduct of war, and the mechanisms of medieval diplomacy. Together, these works offer scholars, students, and enthusiasts a reliable and unembellished account of a transformative period in English and European history. Essential for anyone interested in medieval chronicles, the Hundred Years’ War, or the reign of Edward III.
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In July 1856 [her father] Abraham Pullen [aged 22] and [her mother] Sarah Eagle [aged 23] were married.
On 20th November 1865 Edith Ellen Pullen was born to [her father] Abraham Pullen [aged 31] and [her mother] Sarah Eagle [aged 32].
In or before 1879 [her mother] Sarah Eagle [aged 45] died. See Leighton Biography.
1888. [her future husband] Herbert Gustav Schmalz aka Carmichael [aged 31]. "Imogen". Probably modelled by future wife, Edith Ellen Pullen [aged 22].
1889. [her future husband] Herbert Gustav Schmalz aka Carmichael [aged 32]. "A Fair Beuaty". Probably a portrait of his wife, or future wife, Edith Ellen Pullen [aged 23].
On or after 24th April 1889, the date of the licence, Herbert Gustav Schmalz aka Carmichael [aged 32] and Edith Ellen Pullen [aged 23] were married.
Frederick Leighton Biography. 1895. Frederick Leighton 1st Baron Leighton [aged 64]. "Memories". Model Edith Ellen Pullen [aged 29].
In 1900 Edith Ellen Pullen [aged 34] died.
On 24th November 1935 [her former husband] Herbert Gustav Schmalz aka Carmichael [aged 79] died.
Frederick Leighton Biography. Meanwhile four of these beautiful children became useful to him as models. From the second daughter [Edith Ellen Pullen], who afterwards married an artist, Leighton painted "Memories," reproduced here; from the third, [her sister] Hetty, he painted "Simœtha the Sorceress" and "Farewell"; but it was the youngest, Lina, quite a small child, who delighted him most, and who had a rare, refined charm which must have captivated any child-lover. She took the place of little Connie Gilchrist of the "Cleobouline," the "Music Lesson," and other of the earlier paintings, in the later pictures. She sat for "Sister's Kiss," "The Light of the Harem," "Letty," the sleeping group in "Cymon and Iphigenia," "Kittens," in the friezes "The Dance" and "Music," and "A little girl with golden hair and pale blue eyes" -
"Yellow and pale as ripened corn
Which Autumn's kiss frees—grain from sheath
Such was her hair, while her eyes beneath,
Showed Spring's faint violets freshly born."
Robert Browning.