Mullet

Mullet is in Stars.

Mullet. A five pointed star.

Bonville Arms. Sable, six mullets argent pierced gules. Source.

Peyton Arms. Sable, a cross engrailed or a mullet in the first quarter argent.

Scott Arms. Or, on a bend azure a mullet of six points between two crescents of the field. Source.

Vere Arms. Quarterly, gules and or, in the 1st quarter a mullet argent. .

Three Mullets

Pakington Arms. Quarterley 1&4 Per chevron sable and argent, in chief three mullets or, in base as many garbs gules 2 a variation of the Washbourne Arms 3 Harding Arms.

Gresham Arms. Argent, a chevron ermine between three mullets pierced sable.

Carr Arms. Gules, on a chevron argent, three mullets, of the field.

Conyngham Arms. Argent, a shake-fork between three mullets, sable. Source.

Adam Murimuth's Continuation and Robert of Avesbury’s 'The Wonderful Deeds of King Edward III'

This volume brings together two of the most important contemporary chronicles for the reign of Edward III and the opening phases of the Hundred Years’ War. Written in Latin by English clerical observers, these texts provide a vivid and authoritative window into the political, diplomatic, and military history of fourteenth-century England and its continental ambitions. Adam Murimuth Continuatio's Chronicarum continues an earlier chronicle into the mid-fourteenth century, offering concise but valuable notices on royal policy, foreign relations, and ecclesiastical affairs. Its annalistic structure makes it especially useful for establishing chronology and tracing the development of events year by year. Complementing it, Robert of Avesbury’s De gestis mirabilibus regis Edwardi tertii is a rich documentary chronicle preserving letters, treaties, and official records alongside narrative passages. It is an indispensable source for understanding Edward III’s claim to the French crown, the conduct of war, and the mechanisms of medieval diplomacy. Together, these works offer scholars, students, and enthusiasts a reliable and unembellished account of a transformative period in English and European history. Essential for anyone interested in medieval chronicles, the Hundred Years’ War, or the reign of Edward III.

Available at Amazon in eBook and Paperback format.

NO IMAGE. Argent, on a chief azure three mullets of the first.

Blackett Arms. Argent a chevron sable three escallops argent between three mullets sable. Source.

Liddell Arms. Gules, on a bend argent, three mullets sable. Source.

Lister Arms. Ermine, a fess sable three mullets or. Source.

Murray Arms. Azure, three mullets argent, within a double tressure flory counter-flory or. Source.

Duke Atholl Arms. Earl Atholl Arms overall, an inescutcheon en surtout azure three mullets argent within a double tressure flory or ensigned of a Marquess's coronet. Source.

Two Mullets

                    Around 1577 George Gower (age 37). Portrait of Richard Drake (age 42). The heraldic escutcheon shows seven quarters as follows:
                
                    1: Drake of Ash Arms. Drake of Ash in the parish of Musbury, Devon.
                
                    2: Argent, on a chief gules three cinquefoils of the first; Billet of Ash.
                
                    3: Gules, on a fess argent two mullets sable; Hamton of Rockbere and Ash.
                
                    4: Ermine, on a chief indented sable three crosslets fitchee or; Orwey of Orwey and Ash.
                
                    5: Barry of seven argent and sable.
                
                    6: Azure, six lions rampant argent crowned Gules, 3, 2, 1; Forde of Forde.
                
                    7: Argent, two chevrons sable (Esse/Ash of Ash); Esse or Ash of Ash.

Acheson Arms. Argent, a double-headed eagle displayed sable, beaked and membered or, on a chief vert, two mullets or. Source.

Bacon Arms. Gules, on a chief argent two mullets pierced sable. Source.

Clinton Arms. Argent, six cross crosslets fitchée sable three two and one on a chief azure two mullets or pierced gules. Source.

William of Worcester's Chronicle of England

William of Worcester, born around 1415, and died around 1482 was secretary to John Fastolf, the renowned soldier of the Hundred Years War, during which time he collected documents, letters, and wrote a record of events. Following their return to England in 1440 William was witness to major events. Twice in his chronicle he uses the first person: 1. when writing about the murder of Thomas, 7th Baron Scales, in 1460, he writes '… and I saw him lying naked in the cemetery near the porch of the church of St. Mary Overie in Southwark …' and 2. describing King Edward IV's entry into London in 1461 he writes '… proclaimed that all the people themselves were to recognize and acknowledge Edward as king. I was present and heard this, and immediately went down with them into the city'. William’s Chronicle is rich in detail. It is the source of much information about the Wars of the Roses, including the term 'Diabolical Marriage' to describe the marriage of Queen Elizabeth Woodville’s brother John’s marriage to Katherine, Dowager Duchess of Norfolk, he aged twenty, she sixty-five or more, and the story about a paper crown being placed in mockery on the severed head of Richard, 3rd Duke of York.

Available at Amazon in eBook and Paperback format.

Jermyn Arms. Sable, a crescent between two mullets in pale argent. Source.